"Seeking the Truth about Chronology Today"
The most likely solution is April 12-15, 1477.
1 – Sun in Aries.
2 – Venus in Pisces.
3 – Saturn in Leo.
4 – Moon in Aries.
5 – Mercury in Aries.
6 – Jupiter in Aries.
7 – Saturn in Aries.
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References;
1 – http://chronologia.org/mr11_bcomedy/index.html
Fomenko’s 1477 dating of the Divine Comedy is based upon an interpretation of the various scenes portrayed as Dante rising into the heavens in the Paradisio, the concluding part of Dante’s famous work. This 1477 date is at leasts 150 years later than the date usually ascribed in the Divine Comedy., so, if the 1477 date is correct, then the lives of various authors, politicians, etc. who had some dealings with Dante would also have to be corrected, perhaps much of the fabric of Medieval history. Who is right?
After arriving at the 1477 date by interpreting the various scenes in the Paradisio – scenes possibly serving as a “time stamp” for the creation of the masterpiece – Fomenko checked with the Vatican library to verify the earliest publication date on any of the Divine Comedy editions held in the library. Earliest date: 1477. Looks like a “hole in one” to me. Very difficult to dismiss as simply a coincidence.
I feel Fomenko’s analyses of zodiacs purposefully concealed in works of art and monuments to mark date of creation of a work or date of some important event a work celebrates are the strongest arguments in favor of Fomenko’s reconsideration of chronology. They are also the easiest for an lay person to understand.
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Fomenko’s 1477 dating of the Divine Comedy is based upon an interpretation of the various scenes portrayed as Dante rising into the heavens in the Paradisio, the concluding part of Dante’s famous work. This 1477 date is at leasts 150 years later than the date usually ascribed in the Divine Comedy., so, if the 1477 date is correct, then the lives of various authors, politicians, etc. who had some dealings with Dante would also have to be corrected, perhaps much of the fabric of Medieval history. Who is right?
After arriving at the 1477 date by interpreting the various scenes in the Paradisio – scenes possibly serving as a “time stamp” for the creation of the masterpiece – Fomenko checked with the Vatican library to verify the earliest publication date on any of the Divine Comedy editions held in the library. Earliest date: 1477. Looks like a “hole in one” to me. Very difficult to dismiss as simply a coincidence.
I think Fomenko’s analyses of zodiacs purposefully concealed in works of art and monuments to mark date of creation of a work or date of some important event a work celebrates are the strongest arguments in favor of Fomenko’s reconsideration of chronology. They are also the easiest for an lay person to understand.
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